Short plays about (racist) Ireland, 4

August 2015, my local bus stop

Elderly Man: You write for Metro Eireann, don’t you?

Me: (Thinking ‘great, here’s someone who enjoys my articles’) Yes.

EM: They pay you?

Me: No.

EM: You pay them?

Me: No.

EM: So why (do you write for them)?

Me: Oh, it’s a newspaper read by many migrants and members of ethnic minorities; I enjoy writing for it on a voluntary basis.

EM: Oh yes? Who owns Metro Eireann?

Me: Chinedu Onyejelem… (EM puzzled)… A Nigerian journalist and entrepreneur.

EM: Oh, entrepreneur, is he? He makes money out of ME then, doesn’t he?

Me: Not much…

EM: How much?

Me: (Beginning to loathe this conversation) I don’t know, and I don’t care… and anyway, what is it, a police interrogation?

EM: Oh no, but we live in a country where we speak English… You said ‘not much’, so you must know how much he makes…

Me: (getting truly pissed off) Would you excuse me (turning my back on him but remaining on my spot)

EM: (keeps silent for a while… then comes after me) You Jewish?

I remain silent.

EM: You Jewish, aren’t you?

I take a photo of him on my IPhone.

EM: Why are you taking my picture? What are you going to do with it? Report me to the police?

Me: Oh no, you have done nothing wrong… apart from being a pest…

EM: So I am a pest now, am I? Am I a pest now? (by which stage I have moved away from him, but he continues to stare at me; when I ignore him, he buries his face in a newspaper, but seems to go on mumbling to himself)

We asked for workers and people came

Last week we have again helplessly watched people drowning in the Mediterranean as they attempt to cross the sea to the safety of Europe. Migration NGOs say that more than 2,000 migrants and refugees have died in 2015 so far. However, the very use of the term ‘migrants’ by European governments and NGOs dehumanises their tragedy, occluding the fact that what the Italian-Jewish writer Primo Levi, speaking of Holocaust victims and survivors, called ‘the drowned and the saved’, are human beings, just like us. In 1972, during the migration of ‘guest workers’ to western Europe, the Swiss writer Max Frisch, whose work focused on issues of responsibility, morality, and political commitment, unforgettably wrote in response to the ‘guest workers’ controversy: ‘we asked for workers and human beings came’. Migrant workers, Frisch insisted, have lives, families, hopes and dreams, just like the citizens of the states they come to live in – an insight too easily lost in the current debates on migrants and refugees.

The people desperately trying to gain entry to Western Europe, be it through the fenced border between Hungary and Serbia, the Channel tunnel between France and Britain, or on rickety boats crossing the Mediterranean from Africa to southern Europe, are fleeing disasters – such as the catastrophic wars in Iraq, Afghanistan, Syria, Eritrea and Sudan, or the dire poverty of African countries – all created or supported by the west. Lest we forget, these humans are fleeing because they want to feel safe and give their children a future, yet, although seeking asylum is totally legal, they are often criminalised by the European migration regime. Continue reading “We asked for workers and people came”

Irish artists commemorate the destruction of Gaza

The two-hour lecture by the Norwegian emergency doctor Mads Gilbert about Israel’s 2014 air, ground and sea assault of the besieged Gaza enclave, was for me the highlight of Palfest, a four-day artistic commemoration of the destruction of Gaza in July 2014. Dr Gilbert, who engages in the political act of solidarity medicine, mesmerised a capacity audience at the O’Reilly Theatre on July 11, emphasising the impunity with which Israel continues to occupy, blockade, attack and kill the people of Palestine. He also highlighted the role of the real heroes – the medics and paramedics working in Gaza’s Al Shifa Hospital, where he has served several terms as an accidents and emergency doctor, as well as the ordinary Gazans whose losses are unfathomable. He played the noise of the air bombardment, that together with his photographs of dead and wounded children, women and men brought the atrocities home to his audience. This made a Dublin-based Lebanese woman sitting next to me collapse in tears, remembering the 2006 Israeli attack on Beirut. And as she was sobbing I recalled a member of my Israeli family, a jet pilot who took an active part in the bombardment, and we hugged and cried together – victim and perpetrator united in opposing Israeli aggression.

palfest-326x235Palfest was an incredibly effective and well attended volunteer-run initiative by Irish artists – actors, musicians, visual artists, film makers, and poets – aiming to commemorate the anniversary of the Gaza assault, support Palestine and demonstrate the solidarity of the Irish arts community with the people of Palestine.

There were many highlights during Palfest’s action packed four days, including theatre productions, poetry readings, lectures and film screenings. The ‘Sumud / Steadfastedness’ photography exhibition brought together three photographic projects about Gaza. In ‘Gaza seen by its children’ Belgian photographer Asmaa Seba showed the result of working with six children who witnessed the massacre during Israel’s previous bombardment in 2008. Anne Paq’s photographs showed the consequences for Gaza’s ‘obliterated families’, and Dublin-based Fatin Al Tamimi exhibited photos of acts of solidarity with Palestine in Ireland.

beach-palfestAnother incredibly moving event was the ‘No more: Dublin remembers the children of Gaza’ installation on Sandymount strand, where 551 children’s vests represented the 551 children murdered by Israel during the 2014 massacre.

It is hard to be optimistic about the possibility of Gaza recovering from Israel’s most recent 51-day attack, leaving 2,251 Palestinians dead, the majority (1,462) civilians, and thousands injured, many of whom will remain disabled for life. The destruction of the tiny enclave, one of the most densely populated areas in the world with the highest (43%) unemployment rate, has been unprecedented. With Israel blocking the importation of building materials, some 100,000 Gazans remain homeless and many have been living in the ruins of their homes through the harsh winter and the current relentless heat. Despite UN reports and civil society pressure, Israel seems determined to continue the siege.

Even though optimism seems remote, Palfest’s commitment to freedom and justice for Gaza and Palestine reminded us that pessimism is a luxury none of us can afford. Many of us shed tears and felt the pain, but it was the determination of Ireland’s amazing artists, culminating on the final night in an energising concert at Liberty Hall, that strengthened our resolve to continue to struggle for an end to the Israeli occupation and siege, and for freedom and justice for all Palestinians, those in 1948 Palestine (the state of Israel), those occupied in the West Bank and the Golan Heights, those under siege in Gaza and those in the diaspora, waiting to return.